Please allow
me to make a personal commentary on this matter: Fuck yall that’s good. Super
ska band Streetlight Manifesto have recently released their new album, The Hands that Thieve. To describe it in
simple words is just that it is spectacular.
These guys
surely know who to make our ears delight in utter most pleasure. This new
record has been on my repeat playlist for a long time now and I am having
trouble on letting it out of repeat mode. Composed of 10 beautiful tracks and
released on later April this year, this album is built on the same musical line
as the previous Somewhere in Between
only a bit more intense and smoothly produced. The sounds are in a very skaish
proper manner that can label them as a beginning of a new wave, or something
else entirely. If it could be so Streetlight have developed a 4th
wave Ska just for themselves and the results have been simply amazing.
Previously
scheduled to be released on early 2012, the album was only completed in April
2013. Produced by record label Victory but released by Pentimento the album has
been a record breaker in issues by legalities and other problems. Due to be
released attached with an acoustic album by Toh Kay and an EP with several
tracks to compensate the delay of the release, the album ended up changing record
label and cancelling all the attachments due. However controversial the work
here shown is breathtaking and the band receives my congratulations with such
piece of masterwork.
It is a big
problem for me to choose one of the tunes among such lovely tracks, so I am not
adding none of them in the expectation that you will hear the full album thoroughly.
Share your comments if you please, but my judgement will not change, it is very good.