Sunday, September 30, 2012

PUNKZINES, SUBCULTURE CARRIAGES


In the early years of this rise of the Punk Subculture, between 1970 and 1980, the subculture spread itself in a very limited number of manners. In fact, in could be narrowed to a handful of manners. Literature, art, music or movies, the sources marketing were limited in types and in range. Today I am describing how the culture used to spread its events in the form of magazine literature.

In the mid 1970’s Punk followers felt a need to present the events taking place in the heart of the evolving subculture. Hence the birth of the so-called Punkzines. These Magazines often rudimentarily built and carrying immense information about the spreading of the punk cultural universe was the meeting point to some of the most fabulous punk pieces of literature that can be found out there. The level of energy put in each interview, the effort carried in each article was so intense that it lead the readers to bring out their libertine spirit and start spreading the words. Soon every Punk emerging scene around the world started having their own Zine to present interviews with bands, news and touring dates.

Among these vehicles of sub cultural development you can name a few that benchmarked the history of the Punk Literature. The first to appear was Punk, a magazine created in the mid 1970s writing about the New York music scene. MaximumRocknRoll and Profane Existence also coined a political framed cultural development. Sniffin’ Glue, Gadgie and Burnt Offering spread the word in the UK scene. Cometbus was also one of the most important Zines in the USA scene along with Flipside, Search and Destroy and Slash. Some also important zines but not so well known were Absolutely Zippo, HeartattaCK, Suburban Voice, or even Chainsaw.

Worth taking a brief look at these Zines once you get a chance and realize how ethically Do It Yourself they can be not only because the means of publishing were really homemade but also because its power impelled punkers to either start a band, become a music journalist or helped define the emerging evolution of the culture.